![chromatic notes chromatic notes](https://2.bp.blogspot.com/-2tqTO_vR3cM/T5QlbAjzdjI/AAAAAAAAAQ4/w-aHzE5fWTE/s1600/CHROMATIC+SCALE.jpg)
The second bar outlines a very common chromatic passage. The bebop scale is normally used over a dominant chord (G7 in this key), but it can also be used over any chord in the parent key.
![chromatic notes chromatic notes](http://musicnotation.org/wp-content/uploads/2013/03/chromatic5line577.png)
The first bar of this example uses the dominant bebop scale, played over a major chord. All of these riffs will be two beats (four eighth notes) long in order to get them under our fingers quickly and transpose them easily. We will now take a look at four different ways to add chromatic notes to the major scale. Most of the time the chromatic notes come from below the target note, in some cases from above.Go to the next note (D) and repeat the pattern.Approach the 2nd note of the scale (C#) chromatically from below (C).Olay the note that is a 3rd higher (D) (= skipping one note of the scale).Start with the first note of the scale (B).The example below is in the B Dorian mode, make sure you use the same principle on other scales and positions. There are many ways to practice guitar scales, but this is a particularly good one because the chromatic notes give the scale an instant jazz sound. Example 11 – Chromatic Approach Chord 3Įxamples 2 to 11 in this article will be written over a iim7 – V7 – I – VI7 chord progression in the key of C major: Dm7Įxample 1 is a good exercise that combines scales and chromatic notes.Example 10 – Chromatic Approach Chord 2.Example 6 – Chromatic Chord Substitution 3.
![chromatic notes chromatic notes](https://i.ytimg.com/vi/qnCuY7t9org/maxresdefault.jpg)